Music Conservatory – microtonal concert
Works by Ivan Wyschnegradsky for 2 pianos in quarter ton to be defined.
In the same program: works for pianos in quarter ton and in 1/16th ton by John Burke, Philip Goudall, Estelle Lemire, Bruce Mather and John Winiarz.
Philharmonie – Chamber music Hall, 19h
Ivan Wyschnegradsky: Composition pour quatuor à cordes op. 43 with the OpensoundOrchestra’s soloists
In the same program, works by K. Khatchaturian, A. Mossolov, M. Gagnidze, S. Goubaidoulina, V. Shoot and A. Knaifel.
Philharmonie – Chamber music Hall, 19h
Ivan Wyschnegradsky: The red Gospel op. 8
With Dmitry Chelbykov, bass-baritone and Natalya Sokolovskaya, piano (première in Russia).
In the same program, works by S. Goubaïdoulina, A. Pärt, S. Slonimsky, K. Saariaho and G. Oustvolskaya by île Thélème Ensemble.
New University Hall, 19h30
Ivan Wyschnegradsky: 2ème Quatuor à cordes op. 18, by Camerata Bern
Camerata Bern: Patricia Kopatchinskaja, Michael Brooks Reid, Marko Milenkovic and Thomas Kaufmann
In the same program, works by Schubert, Schnittke, Ysaÿe, Panufnik and Retinsky.
Philharmonia, 17h
Ivan Wyschnegradsky: 2ème Quatuor à cordes op. 18, by Camerata Bern
Camerata Bern: Patricia Kopatchinskaja, Afanasy Chupin, Marko Milenkovic and Thomas Kaufmann
In the same program, works by Schubert, Schnittke, Ysaÿe, Panufnik and Retinsky.
Casino, 17h
Ivan Wyschnegradsky: 2ème Quatuor à cordes op. 18, by Camerata Bern
Camerata Bern: Patricia Kopatchinskaja, Afanasy Chupin, Marko Milenkovic and Thomas Kaufmann
In the same program, works by Schubert, Schnittke, Ysaÿe, Panufnik and Retinsky.
In « Schwere Reiter », contemporary music concert hall
Ivan Wyschnegradsky: Trio à cordes op. 53, by Trio Corolis
In the same program, works by Minas Borboudakis, KP Werani and Stefano Scodanibbio.
Opera America’s National Opera Center, Manhattan
Ivan Wyschnegradsky: Deux Chants sur Nietzsche op. 9, A Richard Wagner op. 26 and Deux Chants russes op. 29 by Jeff Gavett, bass-baritone, David Friend and Thomas Feng, pianists.
In the same concert, works by Eve Beglarian, Taylor Brook, Shawn Jaeger and Mannfishh.
Ecomuseo del Mare, 21h, during the Tracce di suoni Festival, in the Conservatory concert Season.
Ivan Wyschnegradsky: Transcriptions by Giovanni Damiani for synthesizer of Prélude et Etude op. 48 for Carrillo’s piano in third of tone, and Deux Pièces op. 44 for Carrillo’s piano in sixths of tone and in twelfths of tone.
In the same program, works by Giovanni Damiani and G.F. Haas.
Tchaïkovski conservatory – Miaskovsky concert hall – 19h
Ivan Wyschnegradsky: La Journée de l’Existence, reduction for voice and piano by the author.
Daniele Buccio, piano, Anastasia Tcherenkova, voice.
In the same concert: works by Miklachevski (Pièces for piano solo and Sisyphe for 2 pianos), and string quartets by S. Protopopov and A. Mossolov.
During the Tribute to Solange Ancona – Conservatoire National Supérieur de Musique et de Danse, médiathèque H. Berlioz – 209 Avenue Jean-Jaurès, 75019 Paris – 18h.
Ivan Wyschnegradsky:
Prélude op. 38
Pierre-Emmanuel Hurpeau, piano.
Solange Ancona
Ivan Wyschnegradsky :
Cinq Préludes pour 2 pianos, from 24 Préludes op. 22, by Bruce Mather and Dominique Roy
In the same program, works by John Oliver, Bruce Mather, Estelle Lemire and Philip Goodall.
Concert « Homage to Scriabine », with David Louwerse, cello and Alexander Melnikov, piano.
In the same program, works by Alexandre Scriabine, Gérard Grisey, Bruce Mather, Marc Patch and Thierry Pécou.
Concert « Homage to Scriabine », with David Louwerse, cello and Frédérique Vaysse-Knitter, piano.
Concert « Homage to Scriabine », with David Louwerse, cello and Alexander Melnikov, piano.
2 pianos concert with Dominique Ciot and Yoko Yamada. Works by Ivan Wyschnegradsky for piano solo and 2 pianos, program being elaborated.
Ivan Wyschnegradsky: Préludes op. 22, Etude sur le Carré magique sonore op. 40, etc…
Gare du Nord
Ivan Wyschnegradsky:
19h: 24 Préludes op. 22 for 2 pianos tuned a 1/4 ton apart
21h: Transparences I et II for Ondes Martenot and 2 pianos tuned a 1/4 ton apart, and works by Elnaz Seyedi and Anda Kryezin
Pianos duo Huberthomet and Nathalie Forget, Ondes Martenot.
Rehearsal (excerpt) of the april 20th concert in Basel (Gare du Nord). Transparences by Ivan Wyschnegradsky. André Thomet and Susanne Huber, pianos Nathalie Forget, Ondes Martenot
Rehearsal (excerpt) of the april 20th concert in Basel (Gare du Nord). Transparences by Ivan Wyschnegradsky. André Thomet and Susanne Huber, pianos Nathalie Forget, Ondes Martenot
Russian Institut of Art History
Seminar-concert dedicated to Igor Miklachevsky and Ivan Wyschnegradsky by Daniele Buccio, musicologist, pianist.
Tchaïkovski concert hall.
Ivan Wyschnegradsky: La Journée de l’Existence by Persimfans orchestra (orchestra without conductor).
Coordinator: Piotr Aidu. Program « Russian cosmism » with Andreï Emelyanov, narrator.
In the same program: Prélude pour piano by Julian Scriabine, Sonate n°9 by Alexandre Scriabine and Indian ragas.
Poster of the concert of the Persimfans ensemble – « The Day of Existence » in Tchaikovsky Hall, Moscow
Persimfans, Mikhail Morozov & Piotr Aïdu in rehearsal on february 16 at Gorbunov Palace of Culture
Rehearsal of « The day of Existence » by the Persimfans ensemble on February 17, Tchaikovsky Hall
Recording of the concert on february 17 (reading set at the begining of the Day of Existence at 1h46):
During the « Nouveaux classiques » Festival, Zaryadye park.
Ivan Wyschnegradsky: La Journée de l’Existence by Persimfans orchestra (orchestra without conductor).
Coordinator: Piotr Aidu.
During the 11th creative lab: « Homme du Monde »
Ivan Wyschnegradsky : La Journée de l’Existence by Persimfans orchestra (orchestra without conductor).
Coordinator: Piotr Aidu.
Piano concert by Giovanni Damiani including Wyschnegradsky’s small piece Di-ra-te-lo-tu, 1918, written with the Nicolas Obouhov’s notation.
During the Nuit de la microtonalité, 26 and 27 mars 2022, Dampfzentrale Berne.
Ivan Wyschnegradsky:
For 2 pianos tuned a 1/4 tone apart: 12 from 24 Préludes op. 22b, Etude sur les Mouvements rotatoires op. 45a, Transparences I and II op. 35 and op. 47 with Ondes Martenot
For 3 pianos tuned a 1/6 tone apart: Prélude et fugue op. 30, Dialogues à trois op. 51
For 4 pianos tuned a 1/4 tone apart: Ainsi parlait Zarathoustra op. 17, Troisième Fragment symphonique op. 31, Quatrième Fragment symphonique with Ondes Martenot
For 6 pianos tuned a 1/12 tone apart: Arc-en-ciel I op. 37, Arc-en-ciel II op. 52
In the same program:
Works by Charles Ives, Edu Haubensak, Bruce Mather, Pascale Criton, Georg Friedrich Haas, Anda Kryeziu, Elnaz Seyedi and Eleni Ralli.
With Nathalie Forget, Ondes Martenot, Susanne Huber, Tamriko Kordzaia, Stefka Perofanova, André Thomet, Ludovic Van Hellemont, Kirill Zvegintsov, pianos, Barbara Barthelmes and Roman Brotbeck, musicologists and speeches by Martine Joste, Charles Amirkhanian and Paul Auster.
Within the Société de musique contemporaine suisse, Kunstraum Walcheturm, 20h30
Ivan Wyschnegradsky: 12 from 24 Préludes op. 22 by the Huberthomet pianos Duo.
La Sorbonne – Richelieu hall, 11h
Ivan Wyschnegradsky: Prélude and Solitude op. 38, by Léo Philippe.
« Les Festives » from 9h30 to 12h30, with Jean-Marc Chouvel’s musicology doctoral students.
La Marbrerie
Ivan Wyschnegradsky: Early works for piano (first performance), Méditation sur deux thèmes de la Journée de l’Existence op. 7 for cello and piano, Chant douloureux et Etude op. 6 for violin, and the last work by the composer, the Trio à cordes op. 53.
Martine Joste and Jean-François Ballèvre, piano, Léo Marillier, violin, Loïc Abdelfettah alto, Emmanuel Acucero, cello.
Musée des Beaux-Arts Pouchkine, concert given during Sviatoslav Richter’s December nights.
Ivan Wyschnegradsky: Etude sur le Carré magique sonore op. 40, transcription for quintet by Oleg Tantsov.
In the same program, works by I. Stravinsky, A. Lourié, N. Korndorf, S. Goubaïdoulina and A. Schnittke by Ensemble de Musique Contemporaine de Moscou.
Archives Nationales
Ivan Wyschnegradsky: 2nd Quatuor op. 18 by Quatuor Joyce.
In the same program, works by Jean-Sebastien Bach and Anton Webern.
Ivan Wyschnegradsky: Préludes op. 22 for 2 pianos by Cluster Ensemble.
In the same program, works by Charles Ives and Zelislava Sojata Subotic.
Ivan Wyschnegradsky: Préludes op. 22 for 2 pianos by Cluster Ensemble.
In the same program, works by Charles Ives, Karel Ancerl.
« 100 Years of Musical russian Avant-garde », Philharmonic Chamber Hall.
Ivan Wyschnegradsky: First Quartet op.13
Soloists of the Opensound Orchestra: Stanislav Malyshev, Inna Zilberman, Pavel Romanenko, Olga Kalinova.
In the same program, works by Rostlavetz, Mossolov, Babintsev, Bril et Nadjarov.
Beauchery-Saint-Martin (France/Seine-et-Marne).
Ivan Wyschnegradsky: Trio à cordes op. 53 and 2ème Quatuor op. 18 by Quatuor Joyce.
In the same program: Contrapunctus 1, 8 and 9 by Jean-Sébastien Bach and Quatuor 1905 by Anton Webern.
La Marbrerie, concert Ivan Wyschnegradsky with Loïc Abdelfettah, Emmanuel Acucero, Jean-François Ballèvre, Martine Joste and Léo Marillier.
Ivan Wyschnegradsky: Œuvres de jeunesse for piano (first performance), Chant douloureux et Etude op. 6 for violin and piano, Méditation sur deux thèmes de la Journée de l’Existence op. 7 for cello and piano, Etude sur le Carré magique sonore op. 40 for piano, and the last work by the composer, the Trio à cordes op. 53.
2 and 4 pianos concert, with pianists Vicky Ray, Steven Vanhauwaert, Hocket Ensemble piano duo, Donald Crockett conductor.
Ivan Wyschnegradsky: Cosmos, Ainsi parlait Zarathoustra, Etude sur les Mouvements rotatoires, Préludes op.22.
Postponed, more detail coming soon.
Conservatoire of Malakoff (near Paris), 19h.
Ivan Wyschnegradsky: 2ème Quatuor by quatuor Gi !
In the same program, Quatuors by Ligeti and Scelsi.
During Fürther Kirchenmusiktage.
Ivan Wyschnegradsky: Méditation sur deux Thèmes de La journée de l’Existence op. 7 for cello and piano, Quatre Fragments op. 5b for 2 pianos tuned a quarter-tone apart, 24 Préludes for 2 pianos op. 22, excerpts.
With Lorenz Trottmann and Sirka Schwartz-Uppendieck, pianos, Hanna Hesse, cello, Michel Herrschel, voice, and the Fürth Christkönig Church Choir.
In the same program, works by Roslavets, Rebikov, Scriabine, Schnittke and traditional russian-orthodox choirs.
Camerata Bern, Dampfzentrale Bern, 11h.
Ivan Wyschnegradsky: Deuxième quatuor op. 18.
With Patricia Kopatchinkaja, Claudia Ajmone-Marsan, Anna Puig and Thomas Kaufmann.
Reitschule, Grosse Halle, 20h.
Ivan Wyschnegradsky: Arc-en-ciel op. 37 for 6 pianos tuned a twelfth-ton apart.
In the same program: Prométhée, le Poème du feu by Alexandre Scriabine, Limited approximations for 6 pianos and orchestra by Georg Friedrich Haas.
With Daniel Glaus, lights, Tamriko Kordzaia, Stefka Perifanova, Kirill Zvegintsov, Susanne Huber, André Thomet and Stefan Wirth, pianists, the Bern Symphonic Orchestra, Mario Venzago, conductor.
Monika Teepe Hall
Ivan WYSCHNEGRADSKY: Méditation sur deux thèmes de La Journée de l’Existence op. 7 for cello and piano.
Hanna Hesse, cello, Lorenz Trottmann, piano.
In the same program, works by Chostakovitch, Roslavetz, Mossolov, Gubaidulina and Schnittke with Monika Teepe, Soprano and Antje Rempe, narrator.
Concert hall of the Conservatory – 19h30
Ivan WYSCHNEGRADSKY: Deux Chants sur Nietzsche op. 9.
With Vincent Ranallo, baritone, Bruce Mather and Philippe Pru’dhomme, pianos.
In the same program, works by Michel Gonneville, Bruce Mather and Norma Beecroft for the piano Carrillo in sixteenth of a tone.
Salon Osher of Conservatory, 19h30.
Ivan Wyschnegradsky: Dialogue à trois for 3 pianos tuned a sixth-ton apart.
In the same program, works by Bruce Mather and Jacques Desjardins.
With Yunyi Ji, Meng Liu and Jinzhao Xu, piano, ensemble de musique contemporaine du Conservatoire de San Francisco. Nicole Paiement, conductor.
Markthalle – Projet de la Coupole lumineuse du temple: chromatic drawings projection in music.
Ivan Wyschnegradsky: Arc-en-Ciel I op. 37 and Arc-en-Ciel II op.52 for 6 pianos tuned a twelfth-ton apart, Prélude et Fugue op. 30 and Dialogues op. 51 for 3 pianos tuned a sixth-ton apart, L’Affirmation du Paradoxe éthique for two men’s voices, ondes Martenot and 6 pianos tuned a sixth-ton apart and a twelfth-ton apart.
With Huber/Thomet piano duo, Tamriko Kordzaia, Kirill Zvegintsov, Stefan Wirth and Alice Burla, piano, Caroline Ehret, Ondes Martenot, Jean-Jacques Knutti and Robert Koller, barytons, Karl Kliem, visual setting. Design by Hilmar Dagobert Koitka.
Festival « L’esprit de l’utopie » (www.zwischenzeit.ch), Haus ZwischenZeit.
Ivan Wyschnegradsky: Poème in quarter-ton, Prélude et Fugue op. 15 for piano in quarter-ton.
In the same program: first performance by Georg-Friedrich Haas for the Ivan Wyschnegradsky’s quarter-ton piano and 4 pianists.
Piano: Anmari Wili and 4 students from Musikakademie of Basle.
Festival « L’esprit de l’utopie » (www.zwischenzeit.ch), Haus ZwischenZeit.
Ivan Wyschnegradsky: Chant douloureux et Etude op. 6 for violin and piano, Chant nocturne op. 11 for violin and piano in quarter-ton, Préludes from 24 Préludes op. 22.
In the same program, works by Olivier Messiaen and Marija Skender (first performance).
With Dagobert Koitka, clarinet, Anmari Mëtsa Yabi Wili, Ondes Martenot, Ulrike Stortz, violin, Marianne Schroeder et Marija Skender, piano.
Festival « L’esprit de l’utopie » (www.zwischenzeit.ch), Haus ZwischenZeit.
Ivan Wyschnegradsky: Trio à cordes op. 53.
Mondrian Ensemble.
In the same program: works by Nicolas Obouhov, Morton Feldman, Giacinto Scelsi and Charles Ives.
Festival « L’esprit de l’utopie » (www.zwischenzeit.ch), Haus ZwischenZeit.
Ivan Wyschnegradsky: Méditation sur deux thèmes de La Journée de l’Existence op. 7 for cello and piano, Prélude et Danse op. 16 for piano in quarter-ton, Quatre Préludes in quarter-ton op. 22, Etude sur le carré magique sonore op. 40.
In the same program, works by Zoltan Kodaly and Pascale Criton (first performance).
With Dagobert Koitka, clarinet, Rohan de Saran, cello, Martine Joste and Marianne Schröder, piano in quarter-ton.
Festival « L’esprit de l’utopie » (www.zwischenzeit.ch), Gare du Nord hall.
Quatuor Asasello: quatuors by Ivan Wyschnegradsky.
In the same program: quatuors by Alois Haba, Christoph Staude and Claude Debussy.
Concert Ivan Wyschnegradsky for the 40th anniversary of his death. Festival Claude Helffer. Auditorium du Conservatoire (cf ema.vitry94.fr/conservatoire-de-musique).
Ivan Wyschnegradsky : Préludes à 2 pianos op.22, Etude sur les Mouvements rotatoires op. 45a for 2 pianos 8 hands, Chant douloureux op. 11 for violin and 2 pianos, Intégrations op. 49 for 2 pianos, Chant douloureux et Etude for violin and piano op.6.
In the same program, works by Scriabine and Alain Moëne.
Matthieu Acar, Jean-François Ballèvre, Dominique Ciot, Martine Joste, pianos, Léo Marillier, violin. Conductor Léo Margue.
Auditorium du Conservatoire (cf www.larochesuryon.fr/conservatoire)
Ivan Wyschnegradsky: Prélude op. 38.
Martine Joste, piano.
In the same program, works by Sylvano Bussotti, Gérard Pesson and Susumu Yoshida, with Martine Joste, and works by Renaud Gagneux, François-Bernard Mâche, György Kurtag, John Cage, Henry Cowell with students and teachers of the Conservatoire.
Concert Lorenz Trottmann
Ivan Wyschnegradsky : Fragments op. 5
In the same program, works by Chostakovitch, Roslavetz et Mossolov.
Festival « Other Minds » (www.otherminds.org), Yerba Bueno Center for the Arts Theater
Concert with 1, 2 and 4 pianos.
Ivan Wyschnegradsky: Préludes op. 22 (excerpts) for 2 pianos, Trois Pièces op. 38 (piano solo), Etude sur le Carré magique sonore op. 40 (piano solo), Etude sur les Mouvements rotatoires op.45a for 2 pianos 8 hands, Ainsi parlait Zarathoustra op. 12 for 4 pianos, Cosmos op. 29 for 4 pianos.
Piano: The Hocket Duo (Sarah Gibson & Thomas Kotcheff), Vicki Ray, Steven Vanhauwaert, Martine Joste. Donald Crockett conducting.
Festival « L’esprit de l’utopie » (www.zwischenzeit.ch), 4 and 5 june 2019, Gare du Nord hall.
Two concerts with 2 and 4 pianos, Ondes Martenot, on 4 and 5 june 2019.
Ivan Wyschnegradsky: Ainsi parlait Zarathoustra op. 17 (3rd Mvt), Troisième Fragment symphonique op. 31 for four pianos, Transparences I op. 35 for Ondes Martenot and two pianos, Etude sur les mouvements rotatoires op. 45a for two pianos height hands, Quatrième Fragment symphonique op. 38c (1956) for Ondes Martenot and four pianos.
In the same programs : works by Lourié, Obouhov, Roslavets, Scriabine, Ives.
Nathalie Forget, Ondes Martenot, Susanne Huber, André Thomet, Tamriko Kordzaia, Kirill Zwegintsov, pianos.
Festival « L’esprit de l’utopie » (www.zwischenzeit.ch), Haus ZwischenZeit.
Martine Joste recital on the Ivan Wyschnegradsky’s 3 keyboards piano in quarter-tones – conference by Roman Brotbeck.
Ivan Wyschnegradsky: Quatre Préludes op. 22, Etude sur le Carré magique sonore op. 40, Trois Pièces op. 38.
In the same program, conference by Roman Brotbeck : Du continuum sonore aux espaces non-octaviants, and works by Alexandre Scriabine, Nicolas Obouhov, Igor Miklachevsky, and the first performance for the quarter tone piano by Alain Moëne.
Festival « Other Minds » (www.otherminds.org), Atrium Theater
Ivan Wyschnegradsky: Quatuors à cordes n°1 op.13, n°2 op. 18, n°3 op. 38 bis, Composition pour Quatuor à cordes op. 43, Trio à cordes op. 53.
Quatuor Arditti.
In the same program, Quatuor by Georg-Friedrich Haas.
In Princeton Sound Kitchen
Ivan WYSCHNEGRADSKY : 14 Préludes, from 24 Préludes op. 22 for 2 pianos
Hocket Piano Duo (Sarah Gibson & Thomas Kotcheff).
In the same program, works by Noah Kaplan, Bruce Mather, Christopher Douthitt and Shashaank Narayanan.
During the Festival « Messiaen au pays de la Meije : La musique russe selon Messiaen »
Ivan WYSCHNEGRADSKY : Méditation sur deux thèmes de La Journée de l’Existence op. 7 (Edition Jobert)
Studio for New Music Ensemble de Moscou, Olga Galochkina, cello, Mona Khaba, piano.
In the same program, works by Scriabine, Stravinsky, Rostaletz, Denisov and Tarnopolski.
During the Saint-Petersburg International New Music Festival
Ivan WYSCHNEGRADSKY : Chant douloureux et Etude op. 6 (Edition Jobert)
Ensemble 2e2m, Léo Marillier, violin, Véronique Briel, piano.
In the same program, works by A. Lourié, N.Obouhov and three young russian composers creations.
Concert hall of the Conservatory – 19h30
Ivan WYSCHNEGRADSKY: Etude sur le Carré magique sonore op. 40 for piano solo by Bruce Mather.
In the same program, works for 2 pianos tuned a 1/4 tone apart and piano Carrillo in sixteenth of a tone by Antoine Villedieu, Bruce Mather, Jeffery Holmes, John Winiarz and Gilles Tremblay.
Salle de La Gare du Nord – 17h30
Ivan Wyschnegradsky : Méditation sur deux thèmes de la journée de l’Existence op. 7 for cello and piano, by Rohan de Saram and Marianne Schröder.
In the same program, works by Jean-Sebastien Bach, Giancinto Scelsi and Galina Ustwolskaya.
During the American Festival of Microtonal Music
Ivan WYSCHNEGRADSKY : Chant douloureux et Etude op. 6 for violin and piano by Dan Auerbach and Joshua Pierce.
In the same program, works by Aloïs Haba, Johnny Reinhard, Joel Mandelbaum, Felix del Tredici and Svjetlana Bukvich.
La Marbrerie, 21 rue Alexis Lepère, 93100 Montreuil (métro Mairie de Montreuil) – 20h
Round-table meeting and concert for the publication of CD Ivan Wyschnegradsky, Alain Bancquart, Alain Moëne, pianos en quart de ton, Shiiin label, with the support of the Francis and Mica Salabert Foundation.
Ivan WYSCHNEGRADSKY : Etude sur les Mouvements rotatoires for 2 pianos, 8 hands, op. 45a, Intégrations n°2 op. 49 for 2 pianos, Transparences I op. 36 for ondes Martenot and 2 pianos, Chant nocturne op. 11 for violin and 2 pianos.
Alain BANCQUART : Etude 237 for one piano in quarter-tones.
Alain MOENE : De l’Ange for 2 pianos.
with Matthieu Acar, Jean-François Ballèvre, Dominique Ciot, Martine Joste, pianos, Cécile Lartigau, ondes Martenot, Léo Marillier, violin. Direction : Léo Margue.
Free participation.
Rehearsal of the 13 march 2018 concert at La Marbrerie, Montreuil-sous-Bois near Paris. From left to right: Matthieu Acar, Léo Marillier and Jean-François Ballèvre
Concert by Ensemble Calliopée, friday 17 november 2017, in Musée de la Grande Guerre at Meaux (France, 77) : Préludes op. 2 by Wyschnegradsky played by Frédéric Lagarde, piano.
Title of the concert : « La musique russe à l’heure de la Révolution ».
+ works by Tchaikovsky, Stravinsky, Chostakovitch, Prokofiev, Achron, Rostlavets, Medtner, Glazounov, Rachmaninov, Tcherepnine and Gasparov.
Ivan Wyschnegradsky: Chant douloureux op. 6 for violin and piano by Ensemble Zeitlose Musik.
From february to september 2019, several concerts will be organized by Haus zur ZwischenZeit to celebrate the 40th anniversary of Ivan Wyschnegradsky’s death. The Ivan Wyschnegradsky’s 1/4 tone piano is currently being restored for that purpose at Haus zur ZwischenZeit (Basel).
Ivan Wyschnegradsky: Le Scintillement des Etoiles op. 4 for voice and piano, by Nicole Piccolomini, mezzosoprano and Christoph Staude, piano.
In the same concert, works by Beethoven, Brahms, Liszt, Mahler, Pfitzner and Scriabine.
Download the detailed program.
5 Préludes pour 2 pianos op. 22 by Bruce Mather and Dominique Roy.
In the same program, works for 2 pianos tuned a quarter of a tone apart by Estelle Lemire, Bruce Mather and Antoine Villedieu.
Music academy concert hall, Deux Chants sur Nietzche op. 9 by Michel Ducharme, Bruce Mather and Dominique Roy.
In the same program, works for piano Carrillo in 16th-tone, for 2 pianos tuned a quarter of a tone apart and for clarinet and piano by John Winiarz, Philip Goodall, Estelle Lemire, Marc Hyland and Bruce Mather.
21st Century Piano Commission Award Concert, Foellinger Great Hall, Krannert Center for the Performing Arts, 7h30 PM
Ivan Wyschnegradsky: Dialogue à deux op. 41 for two pianos
+ Works by Charles Ives, Henri Dutilleux and Dongryul Lee.
Performers: Han-ah Choi and Hanqian Zhu
Ivan Wyschnegradsky : Méditation sur 2 thèmes de la Journée de l’Existence op. 7 for cello and piano, by Nadège Rochat and Christoph Staude.
In the same concert, works by Scriabine, Pfitzner, Chopin and Schumann.
LAAC (Lieu d’Art et Action contemporaine), Dunkerque, France, for the closure of the Musiques à voir (musique/arts plastiques : interactions) show, concert by Martine JOSTE :
Ivan Wyschnegradsky : Etude sur le Carré magique sonore
+ works by A. Scriabine (10ème Sonate), J. Cage (One), S. Bussotti (Sonatina gioacchina), J.-Y.Bosseur (Portrait de Jiri Kolar) and the first performance of Turbulences by Louis Roquin.
Chamber Music Hall, Aichi University of the Arts, Aichi, Japan.
Ivan Wyschnegradsky: Quatre fragments opus 5a for piano solo and 5b for 2 pianos, Chant nocturne op.11 for violin and 2 pianos, Sonate en un mouvement op.34 for alto and 2 pianos, Deux Etudes sur les densités et les volumes op.39bis for 2 pianos, Intégrations op.49 for 2 pianos.
Chamber Music Hall, Aichi University of the Arts, Aichi, Japan.
Ivan Wyschnegradsky: Troisième quatuor à cordes opus 38bis, Trio à cordes opus 53.
Julian Carrillo: Primer cuarteto en cuartos de tono.
Auditorium Bernanos – 4 rue du Havre 75009 – Paris
Chant douloureux et Etude op. 6 for violin and piano, by Léo Marillier and Micah McLaurin.
Works by Schumann, Brahms and Rostlavets.
Théâtre de Cornouaille, Quimper (29)
Ensemble Variances
Hommage à Scriabine
Méditation sur deux thèmes de la Journée de l’Existence pour violoncelle et piano, opus 7 by David Louwerse, cello, and Alexander Melnikov, piano, and works by Scriabine, Marc Patch, Thierry Pécou and Bruce Mather.
Conservatoire concert hall
Bruce Mather and Dominique Roy play Dialogue à deux, and other works by Estelle Lemire, Bruce Mather, Jacques Desjardins, Simon Martin and Philip Goodall.
Bourgie hall
Two Mélodies op. 3 « Le soleil décline » on poems by Nietzsche, by Vincent Ranallo, baritone, and Brigitte Poulin, piano, and other works by canadian composers from the 20’s.
Festival Hateiva
Méditation sur deux thèmes de La journée de l’Existence op. 7 for cello and piano by the Golden Fur ensemble.
Bourgie hall
Méditation sur deux thèmes de La journée de l’Existence for cello and piano op. 7, by Ensemble Variances.
Théâtre des Arts
Méditation sur deux thèmes de La journée de l’Existence for cello and piano op. 7, by Ensemble Variances.
Chamber Music Hall, Aichi University of the Art
Ivan Wyschnegradsky: First Quartett op. 13.
Doctoral Concert of Aichi University of the Arts.
Berlin, Musik Festspiele – Philharmonie, 20h
Ivan Wyschnegradsky: Arc-en-ciel op. 37 and op. 52a for 6 pianos tuned a twelfth of a tone apart
Also in program, works by Georg Friedrich Haas and Arnold Schönberg
Performers: Klaus Steffes-Holländer / Matan Porat / Florian Hoelscher / Julia Vogelsänger / Akiko Okabe / Christoph Grund, pianos – SWR Sinfonieorchester Baden-Baden und Freiburg
Conductor: François-Xavier Roth
Concert with 2 pianos tuned a 1/4 tone apart.
Works by Ivan Wyschnegradsky (extracts of Préludes), Bruce Mather, Roland Moser, Alain Moëne, Antoine Villedieu and Dominique Deyris.
With the pianists Dominique Ciot, Martine Joste, Yoko Yamada, Manon Lonchamp, Nozomi Misawa, Florence Spire, Marina Maluli, Serge Korolitski and students from piano classes of Eric Wallon (Conservatoire of Les Lilas) and Dominique Ciot (Conservatoire of Châtenay-Malabry).
Travel within sound continuum – Conservatoire de Châtenay-Malabry, 254 Av. de la Division Leclerc, 92019, Châtenay-Malabry.
Concert with 2 pianos tuned a 1/4 tone apart plus Julian Carrillo’s piano in sixteenths of tone.
Works by Ivan Wyschnegradsky (Préludes), Bruce Mather, Pascale Criton, Roland Moser, Alain Moëne, Antoine Villedieu, Mehdi Kazerouni and Paul Ramage.
The interprets will be students of the Conservatoire, with participation of Martine Joste.
3 p.m. : Meeting with composers.
5 p.m. : Concert.
Chamber Music Hall, Aichi University of the Art
Ivan Wyschnegradsky: Deux préludes Opus 2, Chant douloureux et étude Opus 6, Méditation sur deux thèmes de La Journée de l’Existence Opus 7, Premier quatuor à cordes Opus 13, Deuxième quatuor à cordes Opus 18.
Alois Hába: Deuxième quatuor à cordes Opus 7.
Given by the Aichi University students.
19, 20 and 21 February 2016, at the Conservatoire à Rayonnement Régional de Paris, Marcel Landowski Auditorium, concert performance and CD recording of:
– Ainsi parlait Zarathoustra op. 17 for 4 pianos tuned two by two a ¼ tone apart,
– the 4ème Fragment symphonique op. 38c for 4 pianos and Ondes Martenot,
– the Méditation sur deux thèmes de La Journée de l’Existence op. 7 for cello and piano by Ivan Wyschnegradsky,
as well, in first performance, as Racines by Alain Bancquart for 4 pianos and De l’ange by Alain Moëne for 2 pianos tuned a 1/4 tone apart.
The interprets will be students of the Conservatoire à Rayonnement Régional de Paris under the direction of Léo Margue for the works by Wyschnegradsky, and Matthieu Acar, Dominique Ciot and Martine Joste for the works by Alain Bancquart et Alain Moëne.
Pianists Anni Collan and Sanna Iljin and composer, pianist Matti Heininen will play a concert on two grand pianos tuned a quartertone apart, and introduce Finnish audiences to the most important composer of quartertone music in the 20th Century, Ivan Wyschnegradsky (Russia/France 1897-1979).
The duo will also play new music by Matti Heininen, and Heininen will give a lecture on Wyschnegradsky and his music.
The concert is part of Sibelius Academy’s Soiva Akatemia series.
Ivan Wyschnegradsky’s Méditation sur 2 thèmes de la Journée de l’Existence (Meditation on 2 themes from The Day of Existence) Op. 7 for cello and piano will be played during Festival BIFEM by Judith Hamann and James Rushford – Golden Fur ensemble.
With the participation of students from the Piano, Chamber Music, Analysis, Music History, Conducting and Composition classes.
This Study Day will include a Master Class led by Martine Joste about the Etude sur les Mouvements rotatoires op. 45 for 2 pianos 8 hands, the Méditation sur deux thèmes de La Journée de l’Existence, op. 7, for cello and piano and a few Préludes op. 22 for 2 pianos.
This will be followed by an afternoon of study regarding writing techniques, with the interpretation of the Trio à cordes op. 53. It will finish by a Round Table led by Pierre-Albert Castanet, followed by a concert given by the students, with works by Wyschnegradsky and Pascale Criton, and first performances of works by Alain Bancquart and by a student of the Composition class.
Coordinated by Pascale Criton and Martine Joste, this event will bring together musicologists from Germany (Barbara Barthelmes, Elena Poldiaeva), from Russia (Lidia Ader), from Switzerland (Roman Brotbeck) and from France (Jean-Claude Marcadé, André Lischke, Jean-Yves Bosseur, Pascale Criton). Attendants will witness the first performance of Ivan Wyschnegradsky’s Trio pour Ondes Martenot, dated 1965.
Luzerner Saal – 19h30.
Also in program: works by G. Ligeti, G. Fr. Haas et C. Czernowin.
Moscow, Tchaïkovsky Conservatory, Martine Joste recital.
Ivan Wyschnegradsky’s 3 Pieces, Op. 38 (Prélude – Elevation – Solitude) – Etude sur le Carré magique sonore, Op. 40.
With works by Igor Miklashevsky, Alain Bancquart, François Couperin, Gérard Pesson and Philippe Leroux.
Saint Petersburg, Rimsky-Korsakov Conservatory: Concert for 2 pianos, Martine Joste / Miroslav Drobot.
Works by Ivan Wyschnegradsky: Six Preludes from the 24 Preludes, Op. 22 for 2 pianos – Intégrations I and II, Op. 49 for 2 pianos – 3 Pieces, Op. 38 (Prélude – Elevation – Solitude) for solo piano – Etude sur le Carré magique sonore, Op. 40 for solo piano.
And works by Nikolai Obuhov, Igor Miklashevsky and Alain Bancquart.
Conservatory of Montreal (Canada): 5 Preludes from the 24 Préludes, Op.22 for 2 pianos tuned a quarter-tone apart, by Bruce Mather and Paul Helmer.
Also on the programme: works by various composers for the Carrillo piano in 1/16ths of a tone.
24 Préludes, Op. 22 for 2 pianos, by Kei Itoh and Tomoki Kitamura, pianos.
Ivan Wyschnegradsky’s Etude ultrachromatique, Op. 42 on Prof. Adriaan Fokker’s tricesimoprimal organ by Ere Lievonen.
Saint Petersburg, Rimsky-Korsakov Museum: Lecture on Ivan Wyschnegradsky, by Pascale Criton.
Included in a long evening entitled ‘Paradise Lost’, which will feature projections, videos, readings and works by Ives, Mahler, Berg, Varese, Berlioz…
See on Internet: Essener Philharmonie Wyschnegradsky